Wednesday, June 24, 2020

The Cemetery on the Nith: George and Edward Burgess

Edward Burgess 1788-1841

One of the earliest New Brunswickers to settle in Blenheim Township was Edward Burgess. Edward brought his young family to Upper Canada from New Brunswick about 1820. Twelve years later he was joined in Blenheim Township by his brother George.

Edward Burgess was born about 1788 in Norton, Kings, New Brunswick, the youngest child of John Burgess (1750-1789) and Jane White (1752-1797). John died shortly after Edward's birth, while Edward's mother died when he was eleven.  About 1809, Edward married Rachel Doyle (1791-1861), daughter of Hugh Doyle (1750-1824). In 1816, Edward received a grant of 260 acres in Sussex Parish, on the same day his brother John received his grant.

Edward and Rachel had ten children, all of whom survived into adulthood. Their oldest, Hugh, was born about 1809 in Sussex, while their youngest, Rachel Mary, was born in Blenheim on 13 Jan 1832. Two of Edward and Rachel’s children married cousins, children of Edward's brother George.

On 20 Jul 1820, Edward sold his grant of 260 acres to James Secord for £200. Edward and Rachel appear on the passenger manifest for the brig Nancy which arrived at New York from Saint John on 12 Aug 1820. No children are listed on the manifest, however, it is known that their son John Chalmers Burgess was born in New Brunswick in 1819, while their next child, Samuel Goselin Burgess, was born in Upper Canada in 1822.

Edward died in 1841 and was buried at Riverside Cemetery beside the Nith River. Rachel married John Beriah Tree (1781-1880) on 15 Jul 1843 and was living in East Zorra, Oxford in 1852 with her husband and two youngest sons. When she died in 1861 in East Zorra, she was buried at Riverside. None of their children were buried at Riverside, however, two sons are buried at nearby Drumbo Cemetery.

George Burgess 1782-1863
Edward's brother George, was born in New York City in October of 1782. He was baptised at Trinity Church on 27 Oct 1782, the same place his sister Elizabeth had been baptised two years earlier on 13 Aug 1780.

George married Elizabeth Wilcox (1791-1855) about 1810 in Norton, Kings, New Brunswick.  Their first child, John Henry Burgess, was born in 1812. George and Elizabeth had eleven children. All except the youngest were born in New Brunswick.

George was granted 324 acres in Sussex Parish, Kings, New Brunswick in 1813. After the birth of his son Thomas in 1831 but before the birth of his daughter Maria in 1834, he moved his family to Upper Canada.

The 1857 Tremaine Map shows various members of the Burgess family owning Concession 6 Lot 12 south of the village of Drumbo as well as the SE 1/4 of Concession 6 Lot 13 and the NW 1/4 of Concession 5 Lot 12.

George Burgess died in Blenheim in 1863 and was buried beside his wife Elizabeth at Riverside. Three children of George and Elizabeth are also buried there. Two sons and a daughter are buried at Drumbo Cemetery.

Edward and George’s father, John Burgess, was born in Monmouth, New Jersey about 1750. John was a Loyalist who during the Revolutionary War served in the New Jersey Volunteers, a British provincial military unit raised in New York in 1776 by Cortlandt Skinner. John served in the 1st Battalion and likely joined when the battalion was in Monmouth, New Jersey in early 1777.

When the British Army pulled back to New York later that year, the New Jersey Volunteers were assigned garrison duty on Staten Island.

On August 22, 1777, John was captured during the Battle of Staten Island, a failed raid by Continental Army troops commanded by Major General Sullivan. John was one of 80 prisoners taken when Sullivan’s forces attacked the 1st Battalion from behind at dawn.

Edward Moran, Sandy Hook Lighthouse,
Oil on Canvas, 1876
John spent the next two years in prison. Upon his release he returned to New York and to active duty with the New Jersey Volunteers. John was stationed at the Sandy Hook Lighthouse until the Spring of 1780 when his company returned to Staten Island.

John's marriage to Jane White likely occurred prior to his enlistment. Their first child, Sarah, was born about 1778, possibly while her father was a prisoner. Their daughter Elizabeth was born in New York in 1780, followed by George in 1782. John and Jane's youngest children, John and Edward, were born in New Brunswick after the war.

In August 1783, Sir Guy Carleton received orders from London to disband the provincial corps. Officers would be retired on half-pay, grants of land would be provided in Nova Scotia to any willing to settle there, and provisions would be supplied for one year.

The 1st Battalion of the New Jersey Volunteers and their families departed New York on 15 Sep 1783 on the Duke of Richmond and arrived at Saint John Harbour on 27 Sep 1783. They were officially disbanded on 24 Oct 1783.

John and his family, however, were on board the Ann which departed New York on 8 Jul 1783. In June 1783, John had received a commission as a First Lieutenant, however, this was not a military appointment. Refugees departing New York for Nova Scotia were organized into "militia" companies, although the companies had no military function. John was assigned as First Lieutenant in Captain Robert Chillas's company.

John David Kelly, United Empire Loyalists Landing at
Saint John, New Brunswick,
c. 1935
The Ann arrived at Saint John Harbour on 24 Jul 1783. Upon arrival, John would have been given “two pairs of stockings, two pairs of mitts, two pairs of shoes, also an axe and spade.” The Fort Howe commissariat would also provide provisions until the following October consisting of bread or flour, salted beef or pork, oatmeal, butter, dried peas, suet and salt.

John drew a town lot in Parr Town and would have lived there that winter under canvas or in a crude hut. Tents were covered with spruce boughs to provide some protection from the cold. The following spring, John was granted 200 acres in Norton Parish, Kings County.

Regrettably, John died in 1789, only a few years after arriving in New Brunswick. His daughters Sarah and Jane married and remained in New Brunswick, as did his son John. In the 1851 Census, the younger John is listed as a farmer in Studholm Parish, Kings County. With him is his wife, Margaret McDonald, and three of their adult children. It is believed that John died on March 19, 1862, however, the source for this date is unclear.

It is also possible that John died in December 1855. A coroner's inquest held at Studholm into the death of a John Burgess concluded that John was a "confirmed drunkard" who "committed suicide by cutting his own throat." This, however, may refer to the John Burgess who came to New Brunswick in 1835 and was also living in Studholm in 1851.

While John, the father of George, Edward, and John, did not live to see his children reach adulthood, his numerous descendants can still be found in Kings County, New Brunswick and Oxford County, Ontario.

Sunday, June 21, 2020

Portraits of Laura

This cameo portrait of Laura Secord was likely
created for marketing purposes in 1950.

When my students are assigned a project on a famous person in Canadian History, many of them will choose Laura Secord. Laura Secord née Ingersoll was a heroine of the War of 1812, who walked 32 kilometres out of American occupied territory to warn the British about an impending surprise attack. Invariably, my students include the above cameo portrait in their presentations, believing wholeheartedly that it is an authentic portrait of Laura.

Photograph of Laura Secord,
c. 1865, McCord Museum


But it isn't. The only authentic images of Laura are two photographs of her taken about 1865 when she was in her nineties. How the cameo portrait came to be associated with Laura involves chocolate and a bit of family mythology.

David Hemmings, author of Laura Ingersoll Secord: A Heroine and Her Family believes that the portrait depicts Phoebe Grace Laskey (1878-1924), a descendant of Laura Secord's brother-in-law David Secord. Laura Secord Candy Shops Limited, founded in 1913, adopted this portrait for marketing purposes in 1950.

Phoebe Grace Laskey was the daughter of William John Laskey (1846-1934) and Grace Guymer (1860-1938). William's mother, Phoebe Ann Secord (1821-1914), was the daughter of Stephen Secord (1796-1882) and the granddaughter of David Secord (1759-1844).

According to an article published in the Windsor Daily Star in 1936, Phoebe Grace Laskey and her sisters were "chums" of the artist Mildred Peel, sister of noted Canadian artist Paul Peel (1860-1892). Mildred Peel is best known for the portrait of Laura Secord that hangs at the Ontario Legislature, and for the bust of Laura that adorns the Secord monument at Drummond Hill Cemetery on Lundy's Lane in Niagara Falls. While the article does not mention a cameo portrait, it does claim that Phoebe was the model for the bust.

The Windsor Daily Star article, however, gets a number of important facts wrong. Laura Ingersoll was not married to Stephen Secord but to James Secord (1773-1841). The article claims that Phoebe's great-great-grandmother was Phoebe Ingersoll, an aunt of Laura Ingersoll, but there is no evidence to support this. Laura's father, Thomas Ingersoll (1750-1812) had only one sister and her name was Sarah (1747-1725).

Phoebe Grace Laskey's paternal grandfather was John Laskey (1815-1856) not William Laskey as the article claims. John Laskey emigrated to Illinois after his marriage to Phoebe Ann Secord. When he died, his son William was sent back to Canada to live with William's maternal grandfather, Stephen Secord.

Mildred Peel, Mrs. J. R. Peel,
Oil on Canvas, c. 1875,
Museum London
Mildred Peel was born in London, Ontario in 1856. Her father, John Robert Peel (1830-1904), was a sculptor and art educator who owned the London Marble Works. Mildred and her brother Paul studied art with their father and may have helped with the cutting and carving of gravestones and monuments. A portrait of her mother, Amelia Margaret Hall (1832-1890), painted when Mildred was about 19, is in the collection of Museum London.

Mildred attended the Philadelphia Academy of Fine Arts from 1880 to 1883 where she became familiar with the work of American realist painter Thomas Eakins. After briefly returning to London she decided, like her brother, to continue her studies in Paris. Mildred possibly studied at the studio of Orientalist artist Jean-Joseph Benjamin-Constant. Summers were spent sketching and painting with her brother in Pont-Aven, Brittany.

While Paul remained in France, dying suddenly in 1892, Mildred returned to Canada where she shared a studio in Toronto with her sister Clara. Among her early commissions was a series of portrait busts for the Toronto Normal School.

Casting master for Mildred
Peel's bust of Laura Secord
at the Niagara Historical
Society Museum
In 1901, Mildred received the commission from the Ontario Historical Society for a bronze bust of Laura Secord. In its annual report, the Ontario Historical Society stated that, "Miss Peel has been very successful with the likeness with the assistance of a granddaughter of one of Laura Secord's sisters who bears a striking likeness to the Ingersolls and particularly to Laura Secord."

Was Phoebe Grace Laskey the model? Phoebe was 23 at the time. The bust depicts Laura as a woman in her late thirties, the age at which she made her historic trek in June of 1813. The casting master is part of the collection of the Niagara Historical Society Museum in Niagara-on-the-Lake.

Was a great-niece of Laura the model? Possibly. Laura had numerous siblings who settled in Canada.

Mildred Peel, Laura Secord,
Oil on Canvas, 1905,
Government of Ontario
In 1905, the Government of Ontario purchased a portrait of Laura Secord from Mildred. The painting is clearly based on the photograph of Laura, a copy of which was in the possession of the Laskey family, however, Laura's many grandchildren undoubtedly also had copies.

In 1936 an X-ray examination of the canvas revealed that Mildred had painted the Secord portrait over top a portrait of her future husband. This created a minor scandal, although it was common for artists to paint over unsold works. The portrait was sent to storage and forgotten until rediscovered in 1978. When a study for the portrait was exhibited at Museum London in 2015, strong similarities were noted between the study and Mildred's earlier portrait of her mother.

Mildred married former Premier of Ontario George William Ross (1841-1914) in Toronto in 1907. Prior to  becoming Premier in 1899, Ross had served as the Minister of Education in the Liberal government of Sir Oliver Mowat. As Minister of Education, he commissioned Mildred to create a series of portrait busts for the Toronto Normal School. When Ross was knighted in 1908, Mildred became known as Lady Ross. After her husband's death in Toronto, Mildred moved to Santa Barbara County, California where she died in 1920.

Benson Lossing, Laura Secord, 1869

Apart from her photograph, the earliest representation of Laura Secord appears in Benson Lossing's The Pictorial Field-book of the War of 1812, published in 1869. This line drawing was obviously based on the photograph but shows Laura with a much rounder face. The drawing also appears in a number of later works including George Bryces's Laura Secord: A Study in Canadian Patriotism and John Ross Robertson's monumental Landmarks of Toronto published in 1914.

Photograph of Laura Secord, c. 1865,
Niagara Falls Public Library

A photograph of Laura Secord was published in 1898 in the second edition of Sarah Anne Curzon's The Story of Laura Secord. Sarah Anne Curzon née Vincent (1833-1898) was a poet, playwright, journalist, and pioneer for women's rights whose goal was "to rescue from oblivion the name of a brave woman, and set it in its proper place among the heroes of Canadian history." Subtle differences suggest that this photograph is not a cropped version of Laura's full-length portrait.

Emma Currie also used this photograph in The Story of Laura Secord and Canadian Reminiscences, published in 1900, and dedicated to Sarah Anne Curzon.

Lorne Kidd Smith, Laura Secord Warning Lieutenant Fitzgibbon, June 1813,
Oil on Canvas c. 1920, Library and Archives Canada

In the early 1920s, Lorne Kidd Smith painted Laura giving her warning to Lieutenant Fitzgibbon. Laura appears remarkably undishevelled for someone who has just walked 32 kilometres through the bush. The soldier standing behind her sports an impressive mustache that in 1813 was decidedly against army regulations.

Charles W. Jeffreys, Laura Secord Tells Her Story to Fitzgibbon, 1813,
1945, Library and Archives Canada

Historical painter and illustrator Charles William Jeffries created two Laura Secord illustrations. The first shows Laura about to cross a stream on a fallen tree, while the second shows a sitting, bedraggled, and exhausted-looking Laura giving her warning to Lieutenant James Fitzgibbon.

Canada Post has issued two stamps featuring Laura. The 1992 stamp depicts Laura running. She has reddish hair and appears much younger than 37. The 2013 stamp is a more accurate depiction of what a 37-year-old woman in Upper Canada would have been wearing in 1813.

Finally there is the mysterious cameo portrait that Laura Secord Candy Shops Limited used to market its chocolate. The portrait depicts a delicate young woman clad in a revealing white dress, with "centre-parted hair in a wavy, yet demure arrangement." In Heroines and History, Colin Coates and Cecillia Morgan observe that, "this Secord would definitely have employed servants, either black or white; her unseen hands would not have been calloused or darkened by manual labour."

There is no provenance for the cameo portrait before 1950. Mildred Peel and the "Laskey girls" would hardly have been chums given the differences in their ages, however, as the Laskey family lived in the same area of London as the Peel family, it is remotely possible that Mildred painted Phoebe's portrait during one of her visits home. But why then was there no mention of the portrait in the Windsor Daily Star article?

Does the cameo portrait depict a great-niece of Laura Secord? Again it is possible, but more likely the portrait is simply the creation of the Laura Secord Candy Shops Limited.   

Sources:

Baker, Victoria. Paul Peel: A Retrospective 1860 - 1892. London Regional Art Gallery, 1986.

Boyko-Head, Christine. "Laura Secord Meets the Candyman: The Image of Laura Secord in Popular Culture." Slippery Pastimes: Reading the Popular in Canadian Culture. Joan Nicks and Jeannette Sloniowski, editors. Wilfred Laurier University Press, 2002. p. 61-79

Bryce, George. Laura Secord: A Study in Canadian Patriotism. Manitoba Free Press Company, 1907.

Coates, Colin M. and Morgan, Cecilia. Heroines and History: Representations of Madeleine de Vercheres and Laura Secord. University of Toronto Press, 2002.

Currie, Emma A. The Story of Laura Secord and Canadian Reminiscences. William Briggs, 1900.

Curzon, Sarah Anne. The Story of Laura Secord, 2nd edition. Lundy Lane Historical Society, 1898.

Hemmings, David. Laura Ingersoll Secord: A Heroine and Her Family. Bygones Publishing, 2010.

Knowles, Norman. Inventing the Loyalists: The Ontario Loyalist Tradition and the Creation of Usable Pasts. University of Toronto Press, 1997.

Lossing, Benson John. The Pictorial Field-book of the War of 1812. Harper & Brothers, 1869.

Poole, Nancy Geddes. The Art of London: 1830-1980. McIntosh Gallery, 2017.
https://ir.lib.uwo.ca/mcintoshpub/1

"Report of Monuments and Tablets Committee," Annual Report of the Ontario Historical Society, 1901 and 1902. Toronto: Ontario Historical Society, 1903.

Robertson, John Ross. Robertson's Landmarks of Toronto, Vol 6. 1914.

"Bronze Busts and Bearded Ladies: Mildred Peel's Artistic Legacy" http://www.guidetags.com/friends-of-laura-secord/explore/fls-trillium-pois/939-bronze-busts-and-bearded-ladies-mildred-peel-s-artistic-legacy

"Mildred Peel 1856-1920." A Driving Force: Women of the London, Ontario, Visual Arts Community, 1867 to the Present. McIntosh Gallery, London https://mcintoshdrivingforce.ca/biography/mildred-peel/